Sunday, June 29, 2014
To be entered in this giveaway drawing, you need to do 2 things: leave a comment on this post, and do something nice for someone. The world needs more kindness.
The prize package includes 2 of my pattern books, a tatted bracelet handmade by me, an assortment of metal filigrees (aka "doodads"), a Sunlit tatting shuttle, a size 14 crochet hook, and a colorful assortment of hand dyed thread!
I'll draw a lucky winner on Tuesday, July 1.
Friday, June 27, 2014
Boutique Tatting book. Actually, many of my own patterns I haven't tatted in years, so...perhaps I've designed too many patterns? ;-)
Well, the "bread and butter" side of the business, hand dyed thread, keeps me very busy with dyeing, rinsing, and labeling, so there isn't much time left to tat. Probably a good thing.
I used a Swarovski 8mm round for the earring center, and a 9x6mm faceted teardrop for the bottom dangle. The dark gray are metal beads that I found at a local bead shop, Eclectica's. The pattern doesn't say how much thread is needed (I wasn't so detailed back in 2008) but just 1 yard on each shuttle is plenty for this pattern. It's tricky, but doesn't take long to do once you figure it out.
Friday, June 20, 2014
Beaded Tatting Finery book. The burgundy color glass beads with the warm pastels of the multicolored thread seem to be a good combo.
Does art, or artisan handmade, get old?
A topic that someone brought up at a meeting last night with local handmade jewelry designers, is that anything that hadn't sold in 2 years shouldn't be displayed anymore. I totally disagree with that attitude. To me, art is timeless. Especially an art piece that has taken a lot of time, care and skill to make, must necessarily fetch a high price, and art pieces don't sell that fast. If we only make simple, cheap things that fly off the shelves, what happens to genuine creativity? What's your opinion?
Monday, June 16, 2014
Finished! I'm happy with this mix of polymer clay beads and tatting - it's really funky :)
I made up the design as I went. The front of the necklace worked out fairly easily, with only a minor setback of one polymer clay bead breaking. Since I haven't done much with polymer clay, my sculpting skills are still very basic. But, the broken bead was quickly replaced, and I do like how the colors match my hand dyed size 10 thread (Mardi Gras). I also added Lizbeth #685 Evergreen Dark.
I was unsure of what to do with the sides, and my first thought was a quick finish with metal chains, but I wanted to keep an all handmade, organic theme for this piece. Corina Meyfeldt's post on Nina Libin's technique of beaded rings with one shuttle gave me an idea! So, I combined that technique with single shuttle split rings.
I like the results - especially how the colors blend - but next time I may use 2 shuttle split rings, because having 2 threads connecting the rings seems stronger than only 1 thread. Something that probably only matters if the project has some weight to it, as this necklace does.
In between the beaded rings and the front, I added some free-form tatting, using node stitch (sets of 2 first halves followed by 2 second halves). I like how node stitch chains are easy to keep straight, or curve in various directions. (Hmm, now I'm wondering if I should capitalize the names of techniques, such as Node Stitch - any tatting editors out there?)
Anyway, I like my necklace. In the future I may try something similar for the Etsy shop or the next art/craft sales event or exhibit, but if so will try to do a more refined job of sculpting the polymer clay.